Andy Hamilton's final
script for Shelley is another leisurely, drawn-out, affair formed of
only three scenes, in which humour is mostly drawn from conversation rather
than incident. Such actual plot as there is is culturally rather risky.
Shelly and Ted are visited by a young Indian neighbour, who invites them out to
his parents' restaurant. While there, they witness a dispute between the man
and his family about his refusing an arranged marriage. The primary comic
function of this theme works very well, creating many opportunities for Shelley
and Ted to come up with tactless worldly pearls of wisdom about the matrimonial
state and to react in embarrassment to the heated arguments around them. The
secondary dramatic purpose is problematic, however, trying to engage
sensitively with a serious issue from a culture outside the programme's regular
characters in only 25 minutes. This isn't helped by matters becoming resolved
by a very obvious development (when the prospective bride who the son has been
refusing to see arrives - guess what? - she's a babe!) which is also rather
poorly executed.
I've realised something about Hywel Bennett's acting that's always nagged me. When Shelley is at his most oracular, his diction and delivery sounds just like Alan Bates. Homage? I can't think of any other actors of that generation who spoke in that manner.
The detail that most pinpoints this episode to the time it was made is Ted getting a Poll Tax bill in the post. This provokes a series of reflections from Shelley about the unconvincing assurances given by John Major as Chancellor of the Exchequer - something that exposes the two-years-ago recording date.
I've realised something about Hywel Bennett's acting that's always nagged me. When Shelley is at his most oracular, his diction and delivery sounds just like Alan Bates. Homage? I can't think of any other actors of that generation who spoke in that manner.
The detail that most pinpoints this episode to the time it was made is Ted getting a Poll Tax bill in the post. This provokes a series of reflections from Shelley about the unconvincing assurances given by John Major as Chancellor of the Exchequer - something that exposes the two-years-ago recording date.
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