There are very few
domestic scenes that can't be made more interesting to watch by the
introduction of a dog, and this enjoyable episode - in which Jean and Lionel
are adopted by a stray - is no exception.
We've moved on a bit in the thirty years since 'H. G. Wells', Patrick Cargill's
St. Bernard, used to leap all over the performers in Father, Dear Father,
and As Time Goes By has more in the way of resources and time to fully
integrate Dexter (a Beardie-Border collie cross) into the story. The cur is
first seen on location, following Geoffrey Palmer down some rather cold-looking
Eastcote streets, in some pleasingly mobile follow shots that accentuate the
drama and pathos of the situation.
The combination of advances in editing technology and highly professional animal training mean that the hound really comes into his own in the domestic studio sequences, sitting, running, climbing, etc. in always perfectly realised actions. Even with an animal as well-drilled as Dexter, though, reacting to a dog will always reveal something spontaneous about the performers beyond their characters, encouraging a benevolent mood in the viewer.
The combination of advances in editing technology and highly professional animal training mean that the hound really comes into his own in the domestic studio sequences, sitting, running, climbing, etc. in always perfectly realised actions. Even with an animal as well-drilled as Dexter, though, reacting to a dog will always reveal something spontaneous about the performers beyond their characters, encouraging a benevolent mood in the viewer.
Dexter himself was clearly a top pedigree professional, with more credits to his name over his career than
plenty of minor players in British TV dramas and comedies have enjoyed. The
only problem with his appearance is that he dominates the action, and the
plotty business that he catalyses - an encounter between the daughter and a
policeman old boyfriend of the secretary- is a good deal less edifying than
everyone's reactions to Dexter. Of greater interest is a reminiscent speech by
Lionel that the reclaimed dog inspires about an old stray that he adopted in
Kenya. It doesn't really serve much immediate purpose, but is an obvious gift
to the two star actors to make something of, and creates a satisfying
conclusion to the episode.
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