In his
exhaustive Goodies book, Andrew Pixley describes this programme as a
"breakneck cavalcade of fun", the generosity of which made me laugh
rather more than anything in this edition. As it stands it’s a textbook illustration
of how not to adapt something from radio to television, where it's CSO
backdrops and minimal costume aesthetic make it look threadbare and ramshackle.
Perhaps one way that it might have worked would have been to make it less
visual and concentrate on the artificiality of the format, by showing the trio
quick-changing into their many wigs and hats and including the studio audience
in the picture, giving the viewer a more inclusive sense of performance and
involvement in the process.
Whenever he appears as a comedy performer (as opposed to a raconteur) Barry Cryer has always struck me as being far too eager to laugh at his own jokes.
Whenever he appears as a comedy performer (as opposed to a raconteur) Barry Cryer has always struck me as being far too eager to laugh at his own jokes.
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