There are a
handful of pretty good episodes scattered throughout the run of Home To
Roost, thanks to either Eric Chappell's instinctive skill in setting up
diverting situations, an interesting guest, or both. I can't say that this is
one of them, though, even with Ray Winstone as a menacing boxer friend of
Matthew's.
It doesn't feel very distinctive, and would have been done just the same in 1975. Save for the costume of Sara Crowe (Matthew's love interest this episode), which is bang-on accurate what London girls were wearing circa 1987-90 - a low cut tight-zipped jacket, denim cut-offs over tights. A disconcerting period detail if you were around at the time. I'm also intrigued to spot, among the CND and Rastafarian posters that dress the set of Matthew's bedroom, a large model police box/ TARDIS. I wonder how he came to have that? It would have been as interesting a story as this one.
It doesn't feel very distinctive, and would have been done just the same in 1975. Save for the costume of Sara Crowe (Matthew's love interest this episode), which is bang-on accurate what London girls were wearing circa 1987-90 - a low cut tight-zipped jacket, denim cut-offs over tights. A disconcerting period detail if you were around at the time. I'm also intrigued to spot, among the CND and Rastafarian posters that dress the set of Matthew's bedroom, a large model police box/ TARDIS. I wonder how he came to have that? It would have been as interesting a story as this one.
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