Curiously, the more Brass that I see the
less of a handle I have on it. It’s the sheer scale of the enterprise
that's peculiar. The general joke about an inappropriately glossy treatment of
a cloth-cap-and-cobbles story would have found it's obvious fit in a few
minutes in a sketch show. If you wanted to do more with this, a one-hour
special would be the natural form to open out the idea into a more special,
sustained narrative making the most of the actors and the production values.
But a thirteen part sitcom serial? Followed the next year by another
13 episodes? That certainly shows a confidence in the idea. Its more screen
time than many real Granada drama serials got.
Is it as funny as it is impressive? I think that when I like Brass best is when I hear inventive phrasing in the dialogue, be that in the form of quaint metaphors -
Is it as funny as it is impressive? I think that when I like Brass best is when I hear inventive phrasing in the dialogue, be that in the form of quaint metaphors -
HARDACRE (to his daughter on her wedding day): It
is a proud and joyous day for me, and yet there is a pang in your daddy's
heart. The first of my fledgling brood to fly the nest. I know now how a daddy
frog must feel when he sees his tadpole growing little legs.
Or when it
takes an argument and turns it in on itself so it comes to convey something
quite strange, such as a young woman's dismissal of a presumptuous rascal of a
suitor:
Married? When I marry it will be to a real
man! A man confident enough to be unsure of himself. A man dominant enough to
be submissive. A man masculine enough to be unafraid of his own essential
femininity!
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