When Graham
White puts a simile or an inverted phrase in four or five consecutive lines,
watching The Gaffer is like trying to do the cryptic crossword at speed.
Bill Maynard will say something like, "Concession is bad for the
soul", and I find myself having to work out what that means, where it
comes from/ what it should be and what it means in terms of the plot while
still listening out for the next line which will require the same amount of
mental effort.
This week, the Gaffer manages to manipulate his secretary going on strike to his advantage, as it prevents him from paying bonuses to other workers. The blackleg of the title is a shrewish temporary secretary, whose character is conveyed in broad outlines by getting the actress to wear a pair of heavy-rimmed glasses and scowl. This is in contrast to Pat Ashton as Betty, who gets given an existential moment this week ("There must be more to life than this" she suggests, looking around the grim office) and a sadly unflattering new hairdo that adds some ringlets to the front. This new secretary even tidies the gaffer's desk away and cleans the floor, although the office still looks so drab and flyblown that it doesn't have much of a transformative effect.
This week, the Gaffer manages to manipulate his secretary going on strike to his advantage, as it prevents him from paying bonuses to other workers. The blackleg of the title is a shrewish temporary secretary, whose character is conveyed in broad outlines by getting the actress to wear a pair of heavy-rimmed glasses and scowl. This is in contrast to Pat Ashton as Betty, who gets given an existential moment this week ("There must be more to life than this" she suggests, looking around the grim office) and a sadly unflattering new hairdo that adds some ringlets to the front. This new secretary even tidies the gaffer's desk away and cleans the floor, although the office still looks so drab and flyblown that it doesn't have much of a transformative effect.
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